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Lithography |
![]() Saint-Tropez II (1894), lithograph by Paul Signac, inventor of Pointillism with Georges Seurat. |
Lithography: Type of PrintmakingInvented in 1798 by Alois Senefelder of Munich, lithography is a popular planographic (surface-printing) technique based on the immiscibility (chemical repulsion of) oil and water. The lithographic process was kept a close secret until 1818, when Senefelder published Vollstandinges Lehrbuch der Steindruckerey (A Complete Course of Lithography). A modern variant is photo-lithography, which employs photographic processes to capture the image on metal plates. |
![]() Divan Japonais (1893) Lithographed Poster, by Henri Toulouse-Lautrec. |
The Basic Lithographic Process In this printmaking process, the artist draws the desired image on a flat stone surface, using a greasy litho crayon or a greasy black ink (tusche) - note: the word lithography derives from the Greek 'lithos' meaning, stone. Limestone is usually the preferred surface for fine art, but zinc and aluminium plates are also used. When the drawing is completed, it is 'fixed' with an etch (a heavy syrupy mix of gum arabic and a small quantity of nitric acid) to prevent the grease from spreading. In addition, the nitric acid opens the pores of the stone, enabling the gum and grease to enter easily. Meanwhile, the gum arabic surrounds the greasy areas, sealing it against the water applied during printing. Because of the mutual repulsion of grease and water, the image attracts the oily ink but repels water. Thus, when the surface is moistened and inked, the ink adheres to the greasy drawing and not the wet stone, and is transferred perfectly to paper. Indeed, lithography is noted for its ability to capture fine detail and subtle differences in shading. |
![]() Madonna, Lithograph (1902) by the great Norwegian Expressionist Edvard Munch. |
Famous Fine Art Lithographers Lithography instantly became a popular medium among painters during the mid-1800s, including Goya, Theodore Gericault and Eugene Delacroix noted for his equestrian lithographs. The draftsman Honore Daumier was more prolific, being one of the first artists to use transfer-lithography, by which the tusche drawing is made on paper instead of on stone. He proved a great influence on subsequent exponents like James McNeil Whistler. Later in the 19th century, the Impressionists Edouard Manet, Odilon Redon and Edgar Degas also adopted this print method. Colour lithographs (chromolithographs, or oleographs) emerged in the latter half of the century, becoming - in the hands of Henri Toulouse-Lautrec - a vibrant and striking medium. He was followed by other Post-Impressionists like Paul Gauguin, Pierre Bonnard, and Edouard Vuillard. In the 20th century, the Norwegian Edvard Munch, and the German Expressionists like Max Beckmann and Ernst Kirchner became avid lithographers, as did the French painters Henri Matisse, Georges Rouault and Pablo Picasso. Among modern artists, lithography was utilized by artists like Andy Warhol, Stow Wengenroth, Willem de Kooning, Rockwell Kent, M.C. Escher, Ben Shahn, and Robert Rauschenberg, who all imbued the medium with great vitality. |
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For more about etching, engraving, lithography and screen printing in Ireland, see: Irish Art Guide How to Update This Mini Review of Lithography Irish
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