Jasper Johns
Biography, Paintings of American Pop Artist
and Neo-Dadaist.
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Jasper Johns |
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WORLD'S BEST ART |
Jasper Johns (b.1930)One of the most successful of 20th century painters, Johns, together with Robert Rauschenberg (1925-2008) and the composer John Cage (1912-92), was a pioneer of Pop Art during the 1950s. His career took off after his first solo exhibition at the Leo Castelli art gallery in New York in 1958, since which time he has become famous for a series of paintings and sculptures depicting commonplace objects - flags, targets, numbers, beer cans, and others. He was also known for incorporating encaustic paint and plaster relief, as well as real objects, into his oil paintings. It was his use of images from popular culture that gave him the label Pop-artist, although his artistic statements have also led to some of his work being described as Neo-Dadaist. Slower, more methodical and more of a painterly artist than other younger pop-artists who tended to rely heavily on commercial art techniques (silkscreen printing etc.), Johns' works attracted significant praise and patronage. Later, he too explored new media, like silkscreen, as well as intaglio prints, lithography and giclee prints. In 1998, the Metropolitan Museum of Art New York allegedly spent $20 million acquiring his work White Flag; in 2006, his painting False Start was purchased by private collectors for a reported $80 million, making it the most expensive painting by a living artist. (See also: American Art:1750-present). |
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Biography Jasper Johns was born in Augusta, Georgia, and grew up in Allendale, South Carolina, where he was raised by relatives after being abandoned by his mother. He began drawing at the age of three and later studied fine art both at the University of South Carolina (1947-1948), and at the Parsons School of Design (1949) in New York. During his stay in New York, Johns had a relationship with Robert Rauschenberg - with whom he also worked, designing window displays for department stores - and became part of the city's contemporary art scene. After serving in Japan during the Korean War, Johns returned to New York and, in 1957, showed his work Green Target (1955) at a group exhibition where it was noticed by the highly influential contemporary art dealer Leo Castelli (1907-99). The following year, Castelli gave Johns his first one-man show which resulted in the purchase of four works by the New York Museum of Modern Art. This made Johns' reputation, and from this time onwards his work has been avidly collected. |
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Signature Motifs His early works used simple visual motifs like flags, maps, targets, stencilled letters, words and numbers, as exemplified by: Flag (1954, Museum of Modern Art New York), Target (1958, private collection), Three Flags (1958, Whitney Museum of American Art). Important Later, he included encaustic and plaster relief in his work, as well as wires, hinges, rulers, cups and a broom. By 1964 he was producing bronze sculptures of banal objects like beer cans (Ale Cans, 1964, Offentliche Kunstsammlung Basel), along with monumental canvases like According to What (1964), which managed to combine collage, readymade lettering, as well as attached objects including a chair and a cast of a human leg! Instantly Recognizable Subjects In contrast to the artistic theories of Abstract Expressionists like Jackson Pollock (1912-56) and Willem de Kooning (1904-97), the conceptual basis for much of Johns' pop art was the neutralization of subject - achieved by using commonplace and instantly recognizable objects with which the viewer already had a visual relationship - in order to concentrate instead on exploring the limits of the painted surface and thereby answer Dada-type questions like - is this a work of craftsmanship, or a worthless throwaway object? Often described as Neo-Dadaist, many of Johns' works possess a unique aura of uncertainty about their intrinsic value. In addition, by including a range of low-brow "found" objects, his pop art also addresses many of the issues tackled by the movement as a whole: such as, what can art be made from? Innovation A constant innovator, Johns continued to experiment with differing media during the late 1960s, producing lithographic prints as well as "drawings" of his own body, created by coating himself in charcoal and oil and then rolling on paper. In the 1970s he explored the use of crosshatching designs in his painting - after the Norwegian expressionist Edvard Munch (1863-1944) - while in the 1980s he became more autobiographical (Racing Thoughts 1983, Whitney Museum) and also included numerous optical illusions in his works. Above all, this experimentation reflected his particular interest in the physical qualities of different media. For instance, he was one of the few exponents of encaustic painting (pigment mixed with hot wax), and sculp-metal, a quick-drying material designed for crafts hobbyists rather than serious sculptors. His other work includes designs for the Merce Cunningham Dance Company. Artistic Achievements and Awards Johns had his first retrospective in New York (1964) at the tender age of 34. A second retrospective in the same city followed in 1977. In March 2008, a ten-year retrospective of Johns' graphic art was held at New York City's Matthew Marks Gallery. In 1967, Johns won First Prizes at the Sao Paulo Bienal and the International Exhibition of Prints in Ljubljana, Yugoslavia. As late as 1988 he was awarded the principal painting prize at the 1988 Venice Biennale. See also: American Sculptors. Most Expensive Paintings Johns produces a mere 4-5 works per year, thereby maintaining the comparative rarity of his artworks, and endearing himself to buyers and collectors who continue to pay top prices. Two of his most highly priced works include: • White Flag (1955, Leo Castelli
Gallery, New York) • False Start (1959, private
collection) Paintings by Jasper Johns can be seen in many of the best art museums throughout the world. |
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