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Plastic Art: Definition & MeaningThe term "plastic art" - derived from the word "plasticize", meaning "to mould" - describes any art form which involves modelling or moulding in three dimensions. The most common example of the plastic arts is sculpture. This is because sculptors chip, carve, shape or modulate a range of traditional materials, such as marble, granite, sandstone, bone, ivory, wood, and terracotta, as well as contemporary materials such as concrete, aluminium, and foam rubber. Another type of plastic art, in this case using clay, is ceramic pottery, including earthenware, maiolica, raku, stoneware, porcelain and celadon ware. Yet more types of plastic art include: collage, paper art, and origami; metalworking, glass blowing and other forms of glass art, including mosaics; wood-working, as well as contemporary disciplines such as land art (including ice sculpture). |
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Problems of Definition It is not clear whether the meaning of plastic arts can be extended to include all forms of three-dimensional art, or just those that have been plasticized or shaped. For example, some authorities appear to include disciplines such as architecture (an applied art), printmaking and film within the general category. If these activities were to be included, they would be anomalies. (See also: Types of Art.) History of the Plastic Arts The origins of this category date from the "cupule art" discovered at the Auditorium Cave in Bhimbetka, Madhya Pradesh, Central India (290,000-700,000 BCE). Other prehistoric examples include the proto-sculpture known as the Venus of Berekhat Ram (230,000-700,000 BCE), the ivory carvings of animals and birds found in the Swabian Jura (c.33,000-30,000 BCE), and the ceramic Venus of Dolni Vestonice (c.25,000 BCE). The earliest pots were found at the Jomon pottery Odaiyamamoto I site, in Japan - Chinese pottery came later. The largest hoard of plastic art ever discovered is the Chinese Terracotta Army (c.210 BCE), from Shaanxi province, China. Scholars estimate it took 38 years to make and involved a workforce of 700,000. Clay sculpture - mostly pottery - was widespread throughout early Mediterranean civilizations, including Ancient Greece. Greek pottery featured numerous types such as Geometric Style, Oriental Style, Black-Figure and Red-Figure. The other popular plastic art of Classical Antiquity was sculpture. Greek sculpture, divided into The Archaic Period (c.650-500 BCE); The Classical Period (c.500-323 BCE); and The Hellenistic Period (c.323-100 BCE), was practised by famous plastic artists like Polykleitos (5th century BCE), Myron (Active 480-444 BCE), Phidias (c.488-431 BCE), Callimachus (Active 432-408 BCE), Skopas (Active 395-350 BCE), Lysippos (c.395-305 BCE), Praxiteles (Active 375-335 BCE), and Leochares (Active 340-320 BCE). Famous works included: The Colossus of Rhodes, The Dying Gaul, The Winged Victory of Samothrace, Laocoon and His Sons and the Venus de Milo. |
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Roman sculpture is famous for its historical reliefs (eg. Trajan's Column), as well as copies of Greek originals. Other forms of plastic art developed during this period (Iron Age) include Celtic metalwork art, such as the Petrie Crown, the Ardagh Chalice, the Derrynaflan Chalice and the later Tara Brooch. Medieval plastic arts are chiefly exemplified by the religious statues and relief sculpture found in the great Romanesque and Gothic cathedrals of Northern France, Germany and England. Lesser plastic arts of the period, essentially examples of decorative art, included Byzantine mosaics and Venetian glassmaking. All this was followed by Renaissance sculpture, created by supreme plastic artists like Donatello (1386-1466), Michelangelo (1475-1564) and Giambologna (1529-1608). After this, came Baroque, Rococo and Neoclassical sculptors. The 19th century had only one truly great plastic artist, Auguste Rodin (1840-1917), but late 19th century sculptors included a crop of outstanding artists such as Constantin Brancusi (1876-1957), Umberto Boccioni (1882-1916), Naum Gabo (Naum Neemia Pevsner) (1890-1977), Pablo Picasso (1881-1973), Marcel Duchamp (1887-1968), Jacques Lipchitz (1891-1973), and Alexander Archipenko (1887-1964). The trend continued during the 20th century with modern plastic artists such as: Salvador Dali (1904-89), Meret Oppenheim (1913-85), FE McWilliam (1909-1992), Jean Arp (1887-1966), Henry Moore (1898-1986) Barbara Hepworth (1903-75), Alexander Calder (1898-1976) and Alberto Giacometti (1901-66). Post-war innovations in plastic art included the "sculptured wall" assemblages of Louise Nevelson (1899-1988), the felt sculptures of Robert Morris (b.1931); the neon works of Bruce Nauman (b.1941); the car-sculptures of Cesar Baldaccini (1921-98) and the junk sculptures of Armand Fernandez Arman (b.1928). Pop art produced Ale Cans (1964) by Jasper Johns (b.1930), the foam rubber Floor Burger (1962) and Giant Fag-Ends (1967) by Claes Oldenburg (b.1929), and Joe Sofa (1968) by Jonathan De Pas (1932-91), Donato D'Urbino (b.1935) and Paolo Lomazzi (b.1936). Plastic art during the 1960s and 1970s was also represented by Minimalism, notably in the works of Sol LeWitt (b.1928), Walter de Maria (b.1935) and Carl Andre (b.1935). The 1960s also witnessed a wholly new type of plastic art known as Land Art (Earthworks, or Environmental art), practised by plastic artists like Robert Smithson (1938-73), Anthony Gormley (b.1950) and Andy Goldsworthy (b.1956). This activity was essentially a reaction against commercial aesthetics. Postmodernist plastic arts are exemplified by the works of Damien Hirst (b.1965), such as Virgin Mother (2005) and his diamond encrusted skull For the Love of God (2007). Other famous examples of contemporary plastic art include: the monumental steel sculptures of Mark Di Suvero (b.1933), and Richard Serra (b.1939), the photorealist statues of Duane Hanson (b.1925) and the Neo-Pop works of Jeff Koons (b.1955). |
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