Nanni di Banco (c.1386-1421)

The Florentine Italian sculptor and architect Nanni d'Antonio di Banco was the son of an artist named Antonio. Along with the architect Filippo Brunelleschi (1377-1446), and the sculptors Lorenzo Ghiberti (1378-1455), and Donatello (1386-1466), Nanni di Banco helped to shape the course of the Early Renaissance in Florence, and was an important figure in the transition from International Gothic to Renaissance art, although he has received little critical attention compared to his associates.

He is best known for his statues of the Quattro Santi Coronati (Four Crowned Saints) group for the church of Orsanmichele in Florence.

RENAISSANCE (1400-1600)
Renaissance Sculptors
Luca Della Robbia (1400-1482)
Antonio Rossellino (1427-1479)
Antonio Pollaiuolo (1432-98)
Niccolo Dell'Arca (1435-94)
Andrea Della Robbia (1435-1525)
Andrea del Verrocchio (1435-1488)
Guido Mazzoni (1450-1518)
Michelangelo (1475-1564)
Alonso Berruguete (c.1486-1561)
Jacopo Sansovino (1486-1570)
Baccio Bandinelli (1493-1560)
Benvenuto Cellini (1500-1571)
Francesco Primaticcio (1504-1570)
Juan de Juni (1507-1577)
Germain Pilon (1529-1590)
Giambologna (1529-1608)
Jean Goujon (Active 1540-1563)
Barthelemy Prieur (1536-1611)
Adriaen de Vries (1560-1626)
Stefano Maderno (1576-1636)

Biography

There are few if any recorded details of di Banco's upbringing or training in the art of sculpture. In fact, there seems to be some considerable disagreement as to when he was born. Some sources give 1375 as his birthdate, others 1384, and others even give 1390. The fact that he was among Donatello's best disciples and friends suggests he was close in age, and probably no older than the great Donato di Niccolo di Betto Bardi with whom he often sculpted.

Famous Works

Much of Nanni di Banco's work was created for one or other of two architectural structures in the city of Florence: the cathedral, and the church of Orsanmichele. Together, these two buildings, formed the principal source of demand for sculpture in the city during the first quarter of the 15th century.

MEDIEVAL SCULPTURE
For details of the plastic arts during
the Middle Ages, see these resources:
Medieval Sculpture (c.400-1000)
From Late Antiquity to Romanesque
Romanesque Sculpture (1000-1200)
Rounded-arch Architecture/Sculpture
Gothic Sculpture (1150-1280)
Cathedral Art, Ile de France.
Renaissance Art
Sculpture, Painting, Architecture

BEST WORKS OF SCULPTURE
For a list of the world's top 100
3-D artworks, by the best sculptors
in the history of art, see:
Greatest Sculptures Ever.

Di Banco created some of the most important public works of early Renaissance art, notably his statue of St Phillip and the statues of the Quattro Santi Coronati (Four Crowned Saints) group for Orsanmichele (1410-15) - the latter portraying the Four Crowned Martyrs and greatly influenced by the classical tradition - and the Assumption of the Virgin for the Porta della Mandorla of the cathedral of Florence.

Di Banco's sculptures have a Gothic elegance, but also reveal the influence of the antique; his masterpiece, the Quattro Santi Coronati for example features grave and dignified figures modelled on statues of Roman senators. Interestingly, because this and other major sculptures by D Banco have few authenticated dates, it is not clear whether he was ahead of Donatello in his use of classical models.

BEST SCULPTORS
For a list of the world's most
talented 3-D artists, see:
Greatest Sculptors.

EVOLUTION OF SCULPTURE
For details of the origins and
development of the plastic arts
see: History of Sculpture.

Reputation

Although the Italian painter, architect and Renaissance art historian Giorgio Vasari (1511-74) included a biography of Nanni di Banco in his "Lives of the Most Excellent Painters, Sculptors, and Architects" (Le vite de' piu eccellenti architetti, pittori, et scultori italiani, 1550), Nanni has been seen as a traditional stonecarver who succeeded as an imitator of classical statuary, without having any significant sense of imagination. A recent study by Mary Bergstein has countered this by referencing Di Banco's leadership role in the stonemason's guild (note: The Four Crowned Martyrs of the Quattro Santi Coronati were the patron saints of the stonemasons' guild), and by highlighting the gravitas of character and physical presence of his major works.

Architecture

As an architect, Nanni di Banco helped to design the winning model for the Duomo of the Santa Maria del Fiore Cathedral in Florence (1418), under the leadership of Filippo Brunelleschi, where he also made the statue of St Luke, which was completed in 1408.

• For more facts about plastic arts in Ireland, see: Irish Art Encyclopedia.
• For details of sculptors in Ireland, see Irish Sculpture.
• For the evolution and development of the visual arts, see: History of Art.

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