Juan de Juni
Biography of Jean de Joigny French/Spanish Mannerist Religious Sculptor, Noted for Entombment Carving.
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Detail (head of the dead Christ) from
Entombment (1544). National Museum
of Religious Carvings, Valladolid)

Juan de Juni (1507-1577)

The French Mannerist sculptor Juan de Juni (French: Jean de Joigny) was originally of Burgundian origin but spent most of his working life in Spain, where he was active from 1533. Judging from the content and style of his sculpture, he - like many northern artists of the day - appears to have studied the work of Michelangelo and the magnificent Laocoon. Juan de Juni worked at Leon and Salamanca after which he settled in Valladolid.

Specializing in religious themes, and in the dramatic expression of emotion, he is traditionally ranked second only to Alonso Berruguete as the outstanding Spanish sculptor in the Mannerism style, while Berruguete himself described him as "the best foreign carver in Castile". Juni's most celebrated carvings are the two groups of the Entombment (1544, Polychrome wood, National Museum of Religious Carvings, Valladolid) and (1571, Segovia Cathedral).

RENAISSANCE (1400-1600)
Renaissance Sculptors
Nanni di Banco (1375-1421)
Lorenzo Ghiberti (1378-1455)
Donatello (1386-1466)
Luca Della Robbia (1400-1482)
Antonio Rossellino (1427-1479)
Antonio Pollaiuolo (1432-98)
Niccolo Dell'Arca (1435-94)
Andrea Della Robbia (1435-1525)
Andrea del Verrocchio (1435-1488)
Guido Mazzoni (1450-1518)
Michelangelo (1475-1564)
Alonso Berruguete (c.1486-1561)
Jacopo Sansovino (1486-1570)
Baccio Bandinelli (1493-1560)
Benvenuto Cellini (1500-1571)
Francesco Primaticcio (1504-1570)
Germain Pilon (1529-1590)
Giambologna (1529-1608)
Jean Goujon (Active 1540-1563)
Barthelemy Prieur (1536-1611)
Adriaen de Vries (1560-1626)
Stefano Maderno (1576-1636)

BEST WORKS OF SCULPTURE
For a list of the world's top 100
3-D artworks, by the best sculptors
in the history of art, see:
Greatest Sculptures Ever.

BEST SCULPTORS
For a list of the world's most
talented 3-D artists, see:
Greatest Sculptors.

Biography

The French sculptor, painter and architect Juan de Juni (Jean de Joigny) was born in Burgundy in France. Judging by his surname, it seems probable he came from the town of Joigny, and was attracted to Spain by the artistic activity taking place in the kingdom of Castile under Charles I. There were several connections between Burgundian and Spanish religious art, and in addition Charles had recently bestowed the archbishopric of Toledo on a young Burgundian named Guillaume de Croy. In any event, by 1533 Juni was sculpting in Leon, after which he moved to Salamanca before settling in Valladolid in 1540. An exceptionally prolific artist, Juni was well suited, both technically and temperamentally, to the special religious fervour that permeated 16th-century Spain, something he shared with the expatriate Greek painter El Greco, who arrived in Spain about the time of Juni's death.

Major Works

In 1545 Juan de Juni carved an Entombment for the funerary chapel of Bishop Fray Antonio de Guevara, the Franciscan bishop of Mondonedo and chronicler for the Emperor Charles V, in the monastery of St Francisco in Valladolid. The following year he was awarded the commission to carve the high altar of Valladolid Cathedral. His other notable works include the design for a funerary chapel for the banker Alvaro de Benavente in 1557, and the Entombment group for Segovia Cathedral in 1571.

MEDIEVAL SCULPTURE
For details of the plastic arts during
the Middle Ages, see these resources:
Medieval Sculpture (c.400-1000)
From Late Antiquity to Romanesque
Romanesque Sculpture (1000-1200)
Rounded-arch Architecture/Sculpture
Gothic Sculpture (1150-1280)
Cathedral Art, Ile de France.
Renaissance Art
Sculpture, Painting, Architecture

Juni's Style of Sculpture

Drawing on the sculptural traditions of his native Burgundy, his knowledge of classical Italian statues and the style of Mannerism, Juan de Juni succeeded in imbuing his works with the spiritual pain, grief and suffering of the time. To convey these feelings, he created figures possessed with violent, often twisting movement reflecting the anguish within. Their faces are naturalistic, their expressions highly charged with religious emotion. Juni's exceptional carving is frequently enhanced by an imaginative multi-coloured "estofado" effect.

EVOLUTION OF SCULPTURE
For details of the origins and
development of the plastic arts
see: History of Sculpture.

FORMS OF SCULPTING
For different types of 3-D
carving/casting, see:
Stone Sculpture
Granite, limestone, sandstone
and other rock-types.
Marble Sculpture
Pentelic, Carrara, Parian marbles.
Wood Carving
Chip carving, relief carving of
softwoods and hardwoods.
Bronze Sculpture
Lost-wax (cire perdue) casting
method and others.

Entombment (1541-4)

This work, commissioned by Fray Antonio de Guevara, bishop of Mondonedo, was housed in what was then the Franciscan abbey in Valladolid, on part of a reredos installed in the funeral chapel. The group numbers seven figures. Six are arranged in a balanced classical style about the figure of the dead Christ: The Virgin Mary, Saint John, Salome and Joseph of Arimatea, Mary Magdalene, and Nicodemus. The corpse's colouring (with its blackened congealed blood) and broken hands, convey the horror of death. The six others prepare the body for burial while expressing their distraught reactions to Christ's death. Overall, a complex and intensely expressive piece of sculpture, which uses the full gamut of movement, facial distortion and extreme posture to convey immense the type of religious fervour which was preached in Spain during the mid-16th century.

• For more facts about plastic arts in Ireland, see: Irish Art Encyclopedia.
• For details of sculptors in Ireland, see Irish Sculpture.
• For the evolution and development of the visual arts, see: History of Art.

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