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Academy of Art in Florence |
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MEANING OF ART |
Accademia dell'Arte del Disegno (Florence)Founded in 1561, the Florentine Academy of the Art of Design, or Accademia dell'Arte del Disegno was the first official school of drawing in Europe to promote what is now called Academic Art. It enjoyed the support and patronage of the Medici Family, as well as several artists from the Mannerist movement, including Giorgio Vasari, Bartolommeo Ammannati and Agnolo Bronzino. The Academy's aim was to elevate the standards, status and working conditions of painters and sculptors within the city of Florence and surrounding areas. Painting was not on the curriculum only drawing, in particular figure drawing. In due course, several other art schools opened in Florence, until, in 1783 Pietro Leopoldo, the Grand Duke of Tuscany ordered that all drawing academies should be consolidated into one artistic institution under the direction of the Academy. This was duly done and the enlarged academy was retitled Accademia di Belle Arti Firenze - Academy of Fine Arts, Florence. In addition, a collection of Old Master paintings housed in a special gallery was added to facilitate the studies of art students. Among the extra facilities established was Opificio delle Pietre Dure - a school of art conservation and restoration. |
![]() Detail From 'The Trinity' (1425) by Renaissance Florentine painter Tommaso Masaccio. |
Genre Controversy Like the art academy in Rome, the Accademia di San Luca, the Florentine Academy promoted academic art by observing the hierarchy of the genres, in keeping with the artistic principles of the high renaissance. This ranked paintings in the following order of importance: first, history painting, then portraits, genre-painting, landscape and still life. Other European academies, like the French Académie des Beaux-Arts and (to a lesser extent) the Royal Academy of Arts London, as well as the Royal Hibernian Academy and the Royal Ulster Academy, operated along the same lines, and thus followed the same ranking system. Not unnaturally, this led to dissatisfaction among many famous artists who painted landscapes and still lifes. The Accademia Art Collection Among the Accademia di Belle Arti Firenze's collection, housed in its gallery, are a magnificent assembly of Early and High Renaissance paintings by Sandro Botticelli, Paolo di Dono (nicknamed Uccello, 'the bird'), Domenico Ghirlandaio (one of Michelangelo's teachers), and Andrea del Sarto - the last significant Florentine painter before the advent of Mannerism. In addition, it houses the original plaster for 'The Rape of the Sabine Women' (1583) - the Mannerist bronze sculpture by Giambologna, also known as Giovanni da Bologna, plus a number of Florentine Gothic-style canvases and Orthodox icons from Russia. Michelangelos The highlight of the gallery is a mini-collection of works by Michelangelo Buonarroti. This features his sculpture 'David' (1504) - initially sent to the Academy for restoration - a statue of Saint Matthew, and several pieces of sculpture designed for the tomb of Pope Julius II. |
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