JMW Turner
Biography and Paintings of Britain's Greatest Watercolourist & Landscape Painter
Visual Arts Guide



The Burning of the Houses of Lords
and Commons (1835)

JMW Turner (1775-1851)

John Mallord William Turner was an English Romantic landscape artist who produced a large volume of watercolours, prints and oil paintings. His down to earth realism influenced the Barbizon School and laid the foundation for Impressionism. Commonly known as the Painter of Light, his most popular works include Hannibal Crossing the Alps, 1812 (Tate, London), Rain, Steam and Speed - The Great Western Railway, 1844 (National Gallery, London), The Burning of the Houses of Lords and Commons, 1835 (Philadelphia Museum of Art) and The Fighting Temeraire, 1838 (National Gallery, London).


The Grand Canal, Venice (1835) (Detail)

Turner was born in London in 1775, the son of a barber and wig maker. His mother, who had been committed to a mental asylum, died when he was only 9 years old. His father taught him how to read, and outside of his study of art, that was the extent of his education. By the age of 13 he was selling his drawings through his father's shop window. When he was 14 he entered the Royal Academy of Art School and was accepted into the Academy a year later (he was elected a full member at 27).

At the age of 15, one of his watercolours was accepted for exhibit at the Academy, a very rare honour for someone so young and unestablished. His early works consisted mainly of drawings and watercolours and it took him some time before he felt ready to tackle the medium of oil.


Snow Storm: Hannibal And His Army Crossing The Alps (1812) (Detail)

In 1796 he exhibited his first oil painting at the Academy, Fishermen at Sea, and continued to exhibit nearly every year for the rest of his life. By the time he was 18, he already had his own studio on Harley Street. Within 2 years print makers were eagerly buying his drawings for reproduction. Turner's early success allowed him the financial freedom to innovate, which he did so over the years. Important early works include Hannibal Crossing the Alps and Ulysses Deriding Polyphemus, 1829 (National Gallery, London).

He travelled extensively throughout Europe, including France, Switzerland and Italy, but it was in Venice that he found true inspiration, and he returned many times throughout his life. He created lots of watercolours and oil paintings of the city, including The Grand Canal, Venice, 1835 (The Metropolitan Museum of Art, New York).


The Fighting Temeraire (1839)

Natural catastrophes and phenomena fueled his imagination, he loved to paint ships, fires, violent seas, storms and fog. These subjects were covered in The Burning of the Houses of Lords and Commons, Peace: Burial at Sea, 1842 (Clore Gallery, London), Rain, Steam and Speed - The Great Western Railway and Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840 (Museum of Fine Arts, Boston). The theme of the destructive power of nature had first appeared in his painting Hannibal Crossing the Alps and continued throughout his career. He liked to experience events at first hand; when he heard about the fire at the House of Parliament, he rushed to the scene immediately. One rumour had it that he even had himself tied to the mast of a ship in order to experience the drama of a stormy sea up-close.

 

As his work matured, it became almost impressionistic in style, as he focused less on the details and more on the overall atmospheric effect. He became a master at rendering pure light by the use of shimmering colours. An example of this is the Great Western Railway painting where the train is barely recognisable. As far as Turner was concerned, his study of light was becoming paramount and he did not want objects in the painting to distract from this focus, preferring instead to concentrate on the play of light on clouds, water, skies and fires. His technique was being studied carefully by the Impressionists in France, in particular by Claude Monet. However, not everyone was pleased with his later work, one American buyer was said to be disappointed with the 'indistinctness' of his later paintings.

Other important works by Turner include Staffa, Fingal's Cave, 1832 (Yale Center for British Art, New Haven), Norham Castle, Sunrise, c.1835 (Clore Gallery), Interior at Petworth, c.1837 (Tate Gallery, London), Moonlight, watercolour, 1840 (Tate), Sun Setting over a Lake, 1840 (Tate) and Landscape with Distant River and Bay, 1840 (Musee du Louvre, Paris).

As he became older, he turned eccentric, and except for his father, who lived with him for 30 years, he had no close friends. He gave up meetings at the Royal Academy, and would not let anyone watch him paint. He still held exhibitions but refused to sell any of the paintings. When he was convinced to sell one, he was depressed for days afterwards. His last exhibition was in 1850 at the Academy, after which he went missing from his house. His housekeeper searched for him for months, finally finding him at his mistress's house in Chelsea. He had been ill for some time, and died the following day in December 1851. He was 76 years old. As he took his last breath, he uttered the words 'the Sun is God'. He was buried in St Paul's Cathedral and lies next to Sir Joshua Reynolds.

The influential art critic, John Ruskin later described Turner as the only artist who could 'most stirringly and truthfully measure the moods of Nature'. Turner is considered one of England's greatest artists, and is just as popular in the 21st century as he was in his own time. In 1984 the Tate Gallery launched a new Art Award, caller the Turner Prize, which has helped to launch the careers of now prominent artists like Tracy Emin, Damien Hirst and photographer/sculptor Steve McQueen. A major exhibition entitled 'Turner's Britain' was held at the Birmingham Museum & Art Gallery in 2003 and Turners painting the 'Fighting Temeraire' was voted Britain's 'Greatest Painting' by a BBC public poll in 2005.

• For more biographies of great painters, see Old Masters and Famous Artists.
• For information about contemporary landscape artists in Ireland, see: Irish Art: Visual Arts Cork

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