Panel Paintings
History, Types, Famous Altarpieces, Icons.

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The Archangel Gabriel
(The Golden-Haired Angel)
12th Century Russian icon painting
Tempera on wood panel.
See: Christian Art (Byzantine).


Detail from The Ghent Altarpiece,
one of the great masterpieces of
15th century Christian art, painted
by Northern Renaissance artist
Jan Van Eyck.

Painted Panels

The term 'panel painting' denotes a picture painted on a panel (either a one-piece or multi-piece panel), usually made of wood, although metal and other rigid materials are used. Until canvas became popular in the sixteenth century, most movable paintings in Europe (viz, excluding murals or artworks on vellum) were created on panels. Indeed, right up until 1600, panels were as common as canvases.

They were especially popular with painters producing altarpiece art and miniatures, who might use wood or copper (even slate) panels. Panel paintings used over the altar typically came in three formats: diptych (2-panel works), triptych (3-panel works), and large-scale polyptych (multi-panel works).

Wooden Panels

The preference of most Italian Old Masters was white poplar, while Dutch, Flemish and other northern European painters tended to use oak. Other types of panel wood included: beech, cedar, chestnut, fir, larch, mahogany, spruce, teak and walnut. Among modern artists, synthetic materials like fibre-board and plywood, are popular.

Panel Preparation and Painting

The basic preparatory technique involved seasoned wood, planed and sanded, then coated with 'size' (an admixture of gelatin or glue made from animal skins) after which up to 15 layers of gesso (a white absorbent ground for painting in tempera or oil, made from chalk mixed with glue) would be applied to produce a hard smooth surface. After this, the artist drew a freehand design or drawing, typically in charcoal, before applying paint. The actual painting might be done using the encaustic (Byzantine panels), tempera (Italian Renaissance panels) or oil (Dutch/Flemish panels) method.

Isenheim Altarpiece by Matthias Grunewald
Detail showing Christ Crucified from
The Issenheim Altarpiece (c.1515)
Unterlinden Museum, Colmar.
By Matthias Grunewald.
German Renaissance art.

DIFFERENT FORMS OF ARTS
For definitions, meanings and
explanations of different arts,
see Types of Art.

PAINTING TERMS
For a list, see: Painting Glossary.

History

Although panel painting in Greek art was quite commonplace, most Greco-Roman panel art has been destroyed. The largest surviving group of panel paintings from Antiquity are the Egyptian mummy portraits, dating from about 100 BCE to 250 CE. However, the finest ancient examples are the Byzantine panel pictures in Saint Catherine's Monastery, Mount Sinai, completed about 400-600. Later, towards 1200, changes in church practices (aligning both priest and congregation on the same side of the altar) provided space behind the altar for an icon, or similar form of religious art, and thus caused a revival in panel painting. Panels became a popular form of Russian medieval painting, being well developed by the Novgorod school of icon painting. Three of the greatest Byzantine/Russian icon panel painters include: Theophanes the Greek (c.1340-1410), founder of the Novgorod school; his pupil Andrei Rublev (c.1360-1430), famous for the Holy Trinity icon; and Dionysius (c.1440-1502), noted for his panels executed for the Volokolamsky Monastery. Typical icongraphy included Jesus Christ or the Virgin, alone or accompanied by saints. (See also our essay: How To Appreciate Paintings.)

Italian and Northern Renaissance

From their introduction around 1000 CE, altarpieces were nearly all made from panel paintings. The Sienese School of painting, led by Duccio di Buoninsegna (c.1255-1319), and the School of Flemish painting, led by Robert Campin, the Van Eyck brothers and Roger van der Weyden, were both heavy users of wood panels. Overall, the Northern Renaissance painters - especially those of the Netherlandish Renaissance and German Renaissance - tended to use oil on panels while southern artists in Italy during the Early Renaissance era tended to use fresco, or tempera on panel, and less oils. Eastern Orthodox artists in Russia, Constantinople and the Levant area also used panels for their icons. Sadly most have been destroyed.

Advent of Canvas

New attitudes, greater prosperity, and changes in art practices, led to canvas displacing panels as a more popular and convenient medium - a process beginning about 1500 and championed by Venetian artists like Andrea Mantegna: not least because Venice was the foremost source of quality canvases. This process of change occured almost 100 years later in Northern Europe, where panel painting remained more popular among Old Masters like Rubens due to the greater precision it provided. Many other Northern European painters, especially Flemish painters and also Dutch Realist artists of the Dutch Baroque, used panels for their smaller works and miniatures, as did the Spanish painter Goya.

Note About Colours
For details of colour pigments, along with hues and other dyes used in panel paintings through the ages, see: Colour in Painting.

• For facts about painting types, styles and history, see: Fine Art Painting.
• For more about different types of painted panels, see: Homepage.


ENCYCLOPEDIA OF FINE ART
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