Hard Edge Painting (Late 1950s, Early
OF VISUAL ART
What is Hard Edge Painting: Definition/Characteristics
These abstract painters responded to the more "painterly" or gestural forms of Abstract Expressionism by producing a type of geometric abstract art characterized by an economy of expression, a neat surface devoid of incident, a richness of colour applied in clearly delineated areas, and a non-relational, arrangement of forms across the whole canvas. Its impersonal style was further enhanced by a complete absence of brushstrokes. In addition, they sought to create a single, unitary composition, of the type often seen in works by Barnett Newman (1905-70) and other colour field painters.
In simple terms, Hard-edge painting - which
recalls the Precisionism associated with
the De Stijl theories and Neo-Plasticism
of Piet Mondrian (1872-1944),
as well as works by Josef
Albers (1888-1976) - combines the clear imagery of geometric abstraction
with the intense hues of Colour Field
Painting. Leading exponents of Hard-edge painting include: Al Held
(b.1928), Ellsworth Kelly
(b.1923), Frank Stella
(b.1936), Alexander Liberman, Brice Marden (b.1938), Kenneth
Noland (b.1924), Ad Reinhardt
(1913-67), Jack Youngerman (b.1926), and many others. Initially developed
in California (it was later called "California hard-edge" by
the British art critic Lawrence Alloway), Hard-edge painting spread throughout
the United States during the 1960s.
California Hard-Edge Exhibition 1964
Later, in 1964, Jules Langsner staged a second exhibition, this time in Newport Beach, CA, which he called California Hard-Edge Painting. Held in co-operation with the Ankrum Gallery, Esther Robles Gallery, Felix Landau Gallery, Ferus Gallery and Heritage Gallery of Los Angeles, the exhibition included the original four from the 1959 show, together with Florence Arnold, John Barbour, June Harwood, Dorothy Waldman, Larry Bell, Helen Lundenberg, John Coplans and others. (For US collections which include examples of hard edge painting, see: Art Museums in America.)
Second Generation Abstract Expressionism
Second generation abstract expressionists left gesturalism behind and started a host of smaller tendencies (which Greenberg lumped together and called Post-painterly abstraction). Hard-edge painting was only one of them: others included Colour Field, Colour Stain Painting, Op Art, Washington Colour Painting, "One-Image painting", "Systemic painting" (Josef Albers), Lyrical Abstraction, Bay Area Figuration and Minimal Painting.
Curiously, the same degree of fragmentation was occurring in Europe: the main movement Art Informel, which corresponded to Abstract Expressionism, comprised numerous different styles and tendencies, such as Tachisme, Art Non Figuratif, Abstraction Lyrique, and others. Indeed, it was from this artistic melting pot, during the late 1960s/early 1970s, that Contemporary Art emerged to give us Postmodernist art in the form of Minimalism, Video Art, Installation, Conceptualism and other anti-formalist movements.
Hard Edge in Retrospect
In 2000, the art dealer Tobey C. Moss staged Four Abstract Classicists Plus One at her gallery in Los Angeles. In 2003, Louis Stern Fine Arts held a retrospective for Lorser Feitelson called Lorser Feitelson and the invention of Hard-edge painting, 1945-1965. Also in 2003, NOHO MODERN exhibited paintings by June Harwood in a show called June Harwood: Hard-edge painting Revisited, 1959-1969. The last Hard-Edge show - featuring works by Karl Benjamin, Lorser Feitelson, Frederick Hammersley, June Harwood, Helen Lundeberg, and John McLaughlin - was held in 2005, at the Ben Maltz Gallery of the Otis Art Institute in Los Angeles.
Paintings by Hard-Edge painters hang in some of the best art museums in the world.
For more about non-objective painting, see: Homepage.
ENCYCLOPEDIA OF ART HISTORY