Impasto
Visual Arts Guide



Head of Julia II (1990) by Frank
Auerbach, German-born artist
famous for his thick impastoed
paintings.

Impasto Painting Technique

In fine art, the Italian word 'Impasto' (dough or paste) denotes a painting technique in which undiluted paint is applied so thickly (like toothpaste) onto the canvas or panel (often with a palette knife) that it stands out from the surface. When using this impasto technique, the artist often mixes paint on the canvas itself to achieve the required colour.

Oil paints are most suited to the impasto method, due to their viscosity, thickness and slow drying time, although acrylic paint or even gouache can be applied in the impasto style. Watercolours or tempera are too thin to be impastoed without adding bulking or thickening agents (eg. Aquapasto™).

Famous artists who used impasto in their pictures include: the 'Action Painter' Jackson Pollock, the French Impressionist Pierre-Auguste Renoir, and the Expressionist Vincent Van Gogh. The technique is also used by famous Irish artists such as: the Neo-Impressionist Arthur Maderson, the Belfast genre-painter and portraitist Colin Davidson, the Irish landscape artist Donald Teskey, and the Impressionist Roderic O'Conor.


Twelve Sunflowers (1888) by Vincent
Van Gogh, noted for his impasto
layers of thick paint.

Advantages

The impasto painting method offers the artist several advantages.

To begin with, its raised surface causes light to be reflected in new ways that the artist can control. It was used frequently to mimic the broken-textured quality of highlights - that is, the surfaces of objects that are struck by an intense light.

Second, Expressionist artists (notably Van Gogh) used impasto to convey feelings and emotion. Thirdly, impasto can convey a three dimensional impression. Baroque painters like Rembrandt, Hals and Velazquez used minutely and painstakingly worked impastos to depict lined or wrinkled skin, folds in robes, or the glint of jewellery.

Lastly, the rough texture can draw attention to certain points or aspects of a composition.

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Modern artists, from the Impressionist, Abstract Expressionist and other modern eras have frequently resorted to impastoed paint to achieve specific effects. Rotterdam-born Willem de Kooning and German-born Frank Auerbach are two such proponents. The impastoed paint on Auerbach's paintings, in particular, can be as thick as a bread crust. Since then, impasto or any similar method of applying thick layers of pigment paste to a canvas have become a staple technique of abstract and semi-figurative art.

• For facts about painting types, styles and history, see: Fine Art Painting.
• For details of oil, watercolour and acrylic artists in Ireland, see: Guide to Irish Art

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