Tara Brooch
Famous Item of Celtic Metalwork From Ireland: Early Masterpiece of Irish Craftsmanship in Precious Metals.

The Tara Brooch (c.700 CE).
See also Celtic Jewellery art.

Made from cast silver, the Tara Brooch
is ornamented in La Tene style Celtic decoration.

Tara Brooch

One of the great surviving masterpieces of Celtic metalwork art of the early eighth century, the Tara Brooch is named after the Hill of Tara, seat of the legendary High Kings of Ireland. Dated to about 700 CE, the brooch is seven-inches in length and consists mainly of silver gilt with a knitted silver wire, decorated all over with intricate Celtic interlace patternwork. However, it has no link with either Tara or Irish royalty, having been discovered outside Bettystown, near Laytown, County Meath, in 1850 by a peasant woman. The artifact was only called the Tara Brooch as a sales ploy by the antique dealer who purchased it. Even so, it is considered one of the great treasures of the Irish Insular style in the history of Irish art.

Penannular Ring

Although in appearance the Tara Brooch is a Roman-style penannular ring brooch - most of which were used for fastening woollen cloaks - it was intended primarily as a decorative status symbol. Scholars believe it was made for a wealthy patron, probably male, as a sign of his wealth and high status. This is consistent with the superlative quality of materials and metallurgical craftwork used in the manufacture of the brooch.

HISTORY OF CELTIC CULTURE
For details of the development
of metalwork among the Ancient
Celts, which culminated in the
masterpieces of the late La Tene
period and Hiberno-Saxon
Insular style, please see:
Celtic Art, Early Style
Celtic Coins Art
Celtic Art, Wadalgesheim Style
Celtic Art, Late European Style
Celtic Art in Britain and Ireland
Celtic Style Christian Art
Celtic Weapons Art

DESIGNS OF THE ANCIENT CELTS
Celtic metalworking exemplifies
numerous Celtic designs - many
influenced by Greek and Etruscan
artists - developed by craftsmen
among the Ancient Celts.

The construction of the Tara Brooch exemplifies the advanced craft of metalworking in Ireland during the early Christian art era. Fashioned from cast silver, the entire surface is embellished in the La Tène style of Celtic art. Its front is ornamented with panels of interlace design in gold filigree and zoographic triskeles. The settings contain numerous geometric shapes in amber. Several connecting parts of the brooch are emblazoned with designs of animal heads - including wolves and dragons - as well as human heads in glass. Its rear is decorated in plainer style, with panels of silver fastened over copper.

The Tara Brooch is one of several great artifacts of Celtic culture: such as the Iron Age Broighter Collar, and Petrie Crown, the 8th/9th century Derrynaflan Chalice, Moylough Belt Shrine, and Ardagh Chalice, and the processional crosses known as the Tully Lough Cross (8th/9th century) and the 12th century Cross of Cong, created for Turlough O'Connor to hold a relic of the Crucifixion.

Celtic Cultural Revival

The Tara Brooch displays no religious iconography - neither Christian nor pagan - which is consistent with other similar brooches of the period. As one of the foremost examples of Celtic La Tène style artwork, its discovery - along with that of the Ardagh Chalice - lent momentum to the Celtic Cultural Revival of Victorian Britain. The Tara Brooch is now on display at the National Museum of Ireland.

• For more about Irish cultural history and craftwork, see: Visual Arts in Ireland.
• For information about art and crafts in Ireland, see: Irish Art Guide.
• For our main arts index, see: Art Encyclopedia.

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