Rayonnant Gothic Architecture (c.1200-1350)
For a general guide to the evolution of
The Rayonnant style of Gothic architecture emerged in France during the High Gothic period which lasted roughly between 1200 and 1280. It corresponds broadly speaking to the Decorated style of English Gothic architecture, though this emerged slightly later. In simple terms, Rayonnant architecture was less concerned with structural or engineering issues and more concerned with the decorative possibilities of two dimensional surfaces, such as the repetition of certain motifs at different levels and scales. From about the mid-14th century onwards, Rayonnant designs were gradually superceded by the Flamboyant style of Gothic architecture in France.
The new designs, applied to the windows at Reims Cathedral (1211-75) and Amiens Cathedral (1220-70), marked the beginning of an innovation in the Gothic style that is called rayonnant on the basis of the radiating design of the piercing of the rose windows. The figurative meaning of the architectural elements underwent a profound change. The expression of monumentality by way of ponderous masses was abandoned in favour of an incorporeal approach that reduced forms to the interweaving of lines on planes and in space without transforming in any radical way the structure of the Gothic church, which continued to follow the model set by Chartres Cathedral in terms of both layout and elevation. (See also Notre-Dame Cathedral Paris 1163-1345.)
What changed was the series of supports that compose the interior view; the vertical tension is brought to extremes, everything becomes more linear, without depth in the treatment of surfaces and visually without weight. Once again the Basilica of St Denis in northern Paris was among the avant-garde. In the 13th-century reconstruction of its choir, the new types of column - dense clusters of colonettes similar to a moulding or a rib - transformed the design of the nave into a purely graphic display. Builders also concentrated on the design of the stone frameworks that form and decorate the openings of the windows, making them gradually more elaborate, while on the exterior all forms of extreme gigantism were eliminated in favour of large but balanced proportions. The Rayonnant formula spread with surprising speed until around 1340, when it was interrupted by the recurrent outbreaks of the Black Death (134653) and the darker moments of the Hundred Years' War. The end of dynastic continuity with the ascent to the French throne of the house of Valois in 1328 greatly reduced the aura of sacredness surrounding the king and brought back much of the feudal favouritism, leading to a decrease in the creation of religious art and architecture and an increase in military and civil buildings, both royal and public.
Chapelle, Paris (1241-48)
Reims Cathedral (c.1250)
Other important examples of Rayonnant Gothic include the west front of the Church of St Nicaise, Reims (begun 1231); the nave of the Abbey Church of St Denis (1230s); and the facade of the Church of St Urbain, Troyes (1262-86).
Romanesque Architecture (c.800-1200).
Romanesque Sculpture (c.1000-1200).
English Gothic Sculpture (1150-1250)
German Gothic Sculpture (1150-1400)
Stained Glass Art: Materials & Methods (from 12th century)
For more about medieval architectural design in France, see: Homepage.
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