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Katarzyna Gajewska |
![]() Red Head. |
Katarzyna Gajewska (b.1978)I first saw a painting by Gajewska about a year ago. When I found out it was painted by a Polish artist I wasn't the least bit surprised. There was a rawness about it, a sort of undeniable reality. So much contemporary art in Ireland is contrived or experimental - it is produced simply for effect. But when you look at a work by Gajewska, you see something authentic - something naked and raw. Her staring Red Head (left) is a particularly powerful piece with a complex sub-text. Indeed, nearly all her paintings possess this combination of visual power and narrative allusion. The visual impact may be more instant, but the narrative content is equally imposing. Who is the red head? Why is she staring? Is she defiant or worried? Is she a friend, a rival or a self-portrait? Like a newspaper photo torn from its story, the picture is searingly authentic and full of allusion. |
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Biography Katarzyna Gajewska was born in Warsaw, where she grew up alongside her brothers Stanislaw and Jakub in a house filled with books, paintings and sculpture. Her father was an art historian, her mother an editor with a publishing house, and art and aesthetics were regular dinner-table topics. She began drawing and painting as a child - much like other girls might play with dolls - and went on to spend much of her youth copying Old Masters like Caravaggio, Giorgione and Titian. In 1998, she graduated from the State Secondary Art School in Warsaw, and began showing her paintings and graphic works at group shows in Germany and Poland. In 1999, she won a place at the Warsaw Academy of Fine Arts, from where she graduated in 2003, after which she enjoyed a series of solo shows in the Polish capital (2003-5). In 2004, she was awarded a Ministry of Culture Scholarship, and in March 2005, she received a Masters in Fine Arts from the Academy, before taking up a residency at Cill Rialaig, County Kerry, Ireland. |
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Now established as a full-time painter in Dublin, Gajewska has enjoyed a number of highly successful solo exhibitions, and has shown widely in group exhibitions throughout Ireland and internationally. Her works are represented in private collections in Ireland, England, Germany, Switzerland and the United States. As An Artist Gajewska works with oils and enamels as well as mixed media on canvas, using only her hands to apply paint. Being so close to her work makes it a sharper but also a more toxic experience - she has poisoned herself with fumes more than once!! However, it's a passion that dominates her life. As she says: "I am happy if I can paint; if I cannot, I am very unhappy." |
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Her portraits are perhaps her most consistently effective works, and include a series of canvases on iconic women like Marlene Dietrich and Sophia Loren. However, some of her subject paintings, like the deeply satirical Communists, can be equally powerful. Unlimited Potential Judging by her works to date, I think Gajewska has the technical skill and the vision to become a great artist. She has that rare gift of being able to endow common subjects with uncommon significance, while at the same time creating something of real beauty. I hear that her works are selling like hot cakes, even in today's recessionary climate and, frankly, I'm not a bit surprised. |
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Selected Solo Exhibitions Selected Group Exhibitions Further Information To contact Katarzyna Gajewska, or to see more examples of her wonderful paintings I strongly recommend that you visit her website at: www.katarinagajewska.com/ Review written by Neil Collins (Editor) (Oct 2009). |
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For more information about visual
arts in Ireland, see: Irish Art: Painting and Sculpture. To update this mini-review of the paintings of Katarzyna Gajewska, click here. HOME
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